|
Use this link to add your email
address to the RARWRITER Publishing Group mailing list for
updates on activities associated with
the
Creative Culture and Revolution
Culture journals,
and other RARWRITER Publishing Group interests.
ABOUT RAR: For those of
you new to this site, "RAR" is Rick Alan Rice, the publisher
of the RARWRITER Publishing Group websites.
Use this link to visit the
RAR music page, which features original music
compositions and other.
Use this link
to visit Rick Alan Rice's publications page, which
features excerpts from novels and other.
RARADIO
(Click here)
"On to the
Next One" by
Jacqueline Van Bierk
"I See You
Tiger" by Via Tania
"Lost the
Plot" by Amoureux"
Bright Eyes,
Black Soul" by The Lovers
Key
"Cool Thing"
by Sassparilla
"These Halls I Dwell"
by Michael Butler
"St. Francis"by
Tom Russell & Gretchen Peters, performance by Gretchen
Peters and Barry Walsh;
"Who Do You
Love?"by Elizabeth Kay;
"Rebirth"by
Caterpillars;
"Monica's
Frock" by
Signel-Z;
"Natural
Disasters" by
Corey Landis;
"1,000
Leather Tassels" by
The Blank Tapes;
"We Are All Stone" and "Those
Machines" by Outer
Minds;
"Another Dream" by MMOSS;
"Susannah" by Woolen
Kits;
Jim Morrison, Elvis Presley,
Michael Jackson and other dead celebrities / news by A
SECRET PARTY;
"I Miss the Day" by My
Secret Island,
"Carriers of Light" by Brendan
James;
"The Last Time" by Model
Stranger;
"Last Call" by Jay;
"Darkness" by Leonard
Cohen;
"Sweetbread" by Simian
Mobile Disco and
"Keep You" fromActress off
the Chronicle movie soundtrack;
"Goodbye to
Love" from October
Dawn;
Trouble in
Mind 2011 label
sampler;
Black Box
Revelation Live
on Minnesota Public Radio;
Apteka "Striking
Violet";
Mikal
Cronin's "Apathy"
and "Get Along";
Dana
deChaby's progressive
rock
_______
MUSIC LINKS
"Music Hot Spots"
LOS ANGELES
SAN FRANCISCO
NEW YORK CITY
NASHVILLE
CHICAGO
AUSTIN
DENVER-BOULDER
MINNESOTA
SEATTLE
NEW ORLEANS
PHILADELPHIA
BOSTON
PORTLAND
DETROIT
MEMPHIS
PACIFIC NORTHWEST
FLORIDA
ARIZONA
INTERNATIONAL LINKS
UNITED KINGDOM
EUROPE
JAPAN
SCANDANAVIA
AUSTRALIA
CANADA
ASIA
|
|
ATWOOD - "A Toiler's Weird Odyssey of Deliverance" -AVAILABLE
NOW FOR KINDLE (INCLUDING KINDLE COMPUTER APPS) FROM
AMAZON.COM. Use
this link.
CCJ Publisher Rick Alan Rice dissects
the building of America in a trilogy of novels
collectively calledATWOOD. Book One explores
the development of the American West through the
lens of public policy, land planning, municipal
development, and governance as it played out in one
of the new counties of Kansas in the latter half of
the 19th Century. The novel focuses on the religious
and cultural traditions that imbued the American
Midwest with a special character that continues to
have a profound effect on American politics to this
day. Book One creates an understanding about
America's cultural foundations that is further
explored in books two and three that further trace
the historical-cultural-spiritual development of one
isolated county on the Great Plains that stands as
an icon in the development of a certain brand of
American character. That's the serious stuff viewed
from high altitude. The story itself gets down and
dirty with the supernatural, which in ATWOOD
- A Toiler's Weird Odyssey of Deliveranceis the
outfall of misfires in human interactions, from the
monumental to the sublime. The
book features the epic poem "The
Toiler" as
well as artwork by New Mexico artist Richard
Padilla.
Elmore Leonard
Meets Larry McMurtry
Western Crime
Novel
I am offering another
novel through Amazon's Kindle Direct Publishing service.
Cooksin is the story of a criminal syndicate that sets its
sights on a ranching/farming community in Weld County, Colorado,
1950. The perpetrators of the criminal enterprise steal farm
equipment, slaughter cattle, and rob the personal property of
individuals whose assets have been inventoried in advance and
distributed through a vast system of illegal commerce.
It is a ripping good yarn, filled
with suspense and intrigue. This was designed intentionally to
pay homage to the type of creative works being produced in 1950,
when the story is set. Richard Padilla
has done his usually brilliant work in capturing the look and feel of
a certain type of crime fiction being produced in that era. The
whole thing has the feel of those black & white films you see on
Turner Movie Classics, and the writing will remind you a little
of Elmore Leonard, whose earliest works were westerns.
Use this link.
EXPLORE THE KINDLE
BOOK LIBRARY
If you have not explored the books
available from Amazon.com's Kindle Publishing
division you would do yourself a favor to do so. You
will find classic literature there, as well as tons
of privately published books of every kind. A lot of
it is awful, like a lot of traditionally published
books are awful, but some are truly classics. You
can get the entire collection of Shakespeare's works
for two bucks.
You do not need to buy a Kindle to
take advantage of this low-cost library. Use
this link to go to an Amazon.com page from which you
can download for free a Kindle App for
your computer, tablet, or phone.
Amazon is the largest,
but far from the only digital publisher. You can
find similar treasure troves atNOOK
Press (the
Barnes & Noble site), Lulu,
and others. |
|
|
|
VOODOO CHILDREN, "Chile" or Child
 One of the nicest things Jimi
Hendrix left this world was his inspirational take on a box
of tunes
that have electrified guitarists since they were first given life by the
alien love force himself. From Electric Ladyland, Hendrix'
third and final album, "Voodoo Chile" was recorded in 1968.
Wikipedia offers this background:
During the Electric Ladyland
recording sessions at the Record Plant, Hendrix and the band often
explored the New York City club scene and frequently jammed with the
performers. After one such jam at the nearby Scene Club, Hendrix
brought a group of twenty or so back to the studio,[10] including
Steve Winwood, Jack Casady, and
Larry Coryell. Hendrix proceeded to record "Voodoo Chile" with
Mitch Mitchell (drums), Winwood (organ), and Casady (bass) (Coryell
was invited to play, but declined, feeling that the music did not
need him).
Steve Winwood recalled "There were no chord
sheets, no nothing. He [Hendrix] just started playing. It was a
one-take job, with him singing and playing at the same time. He just
had such mastery of the instrument and he knew what he was and knew
his abilities". Engineer Eddie Kramer saw it differently: "The idea
that these jam sessions were informal is something that I completely
disagree with. They may have seemed casual to the outside observer,
but Jimi plotted and planned out nearly all of them. He'd reason
that if he had his songs together, if he really wanted to pull out
what he heard in his head, he needed the right people ... and that's
what he did".
The song "Voodoo Child (Slight Return)"
was recorded by the Experience as the final cut on the Ladyland record. It was released as a single
following Hendrix death, going to number one on the U.K. charts.
Authorship: There is plenty of
Voodoo confusion regarding the Electric Ladyland tracks, which featured
the jam with Winwood, Mitchell and Casady that was "Voodoo Chile". It
was clearly a riff on Muddy Waters' "Rolling Stone", which Hendrix
performed in his live show, and it was slowish and bluesy, though Mitch
Mitchell's cool drum licks were more out of jazz school, rather Gene
Krupa-like. The "Voodoo Chile" lyrics are all Hendrix (see below).
"Voodoo Child" (Slight Return) was written by
Ronnie James Dio and
Ritchie Blackmore, who played together in Rainbow following Dio's time
with Elf and Blackmore's with Deep Purple. It is their song that Hendrix
played to close Electric Ladyland, i.e., the "slight return", which is
an expression used in theater regarding the revisiting of an earlier
theme. It is this song that guitarists everywhere wail on, and what you
hear in the videos presented here. The theme that ties the two voodoo
songs together is found in their choruses, which both state the claim to
being a "voodoo child" and use the same C to D build to take the tune
back to its E foundation.
Well, I'm a voodoo chile
Lord I'm a voodoo chile
Well, the night I was born
Lord I swear the moon turned a fire red
The night I was born
I swear the moon turned a fire red
Well my poor mother cried out "lord, the gypsy was right!"
And I seen her fell down right dead
(Have mercy)
Well, mountain lions found me there waitin'
And set me on a eagles back
Well, mountain lions found me there,
And set me on a eagles wing
(Its' the eagles wing, baby, what did I say)
He took me past to the outskirts of infinity,
And when he brought me back,
He gave me a Venus witch's ring
Hey!
And he said "Fly on, fly on"
Because I'm a voodoo chile, baby, voodoo chile
Hey!
Well, I make love to you,
And lord knows you'll feel no pain
Say, I make love to you in your sleep,
And lord knows you felt no pain
(Have mercy)
'Cause I'm a million miles away
And at the same time I'm right here in your picture frame
(Yeah! What did I say now)
'Cause I'm a voodoo chile
Lord knows I'm a voodoo chile, Yeah!
(Yeah, but I say now, yeah,)
Well my arrows are made of desire
From far away as Jupiters sulphur mines
Say my arrows are made of desire, desire
From far away as Jupiters sulphur mines
(Way down by the Methabe Sea, yeah)
I have a humming bird and it hums so loud,
You think you were losing your mind, hmmm...
Well I float in liquid gardens
And Arizona new red sand
(Yeah)
I float in liquid gardens
Way down in Arizona red sand
Well, I taste the honey from a flower named Blue,
Way down in California
And the New York drowns as we hold hands
'Cause I'm a voodoo chile
Lord knows I'm a voodoo chile
Yeah!
Stevie Ray Vaughn
SRV seems to have inherited the Hendrix mantle in many
people's minds, perhaps because he was early on doing full-bore
recreations of the Hendrix oeuvre and with an extra measure of his own
brand of fire. If one was looking around for someone who seems like he
might in fact be a Voodoo Child, Stevie Ray Vaughn seems to have had the
requisite gris-gris.
Zakk Wylde Rocks with Les Paul Trio
Technique and virtuosity aside, what really separates
the monster players like Zakk Wylde and the late Stevie Ray Vaughn is
sheer physical strength. Watching either of these guys attack a guitar
may make one feel inadequate as a physical force. And by the way, Wylde
is doing all these pyrotechnics on an acoustic-electric, and doing it
all to perfection. This too little viewed video is from Front and Center
series on PBS, and that is the Les Paul Trio in support of Mr. Wylde,
with Lou Pallo on Guitar (replacing the late Les Paul), Nicki Parrott on
Bass, John Colianni on Piano, and Anton Fig ("the Thunder from Down
Under" of the Letterman band) on Drums.
Kenny Wayne Shepherd
Kenny Wayne Shepherd's "Voodoo Child" is sedate compared
to Zakk Wylde's offering, filled with tricks and sight gags, but fine
nevertheless.
Jimi Hendrix
This video was recorded in July of 1970 (Hendrix died in September) and
it is great in so many ways, not the least of which is the low profile
presentation of the band, like a group of locals jamming in the park.
Hendrix is playing the "Voodoo Child" tune by Dio and Blackmore.
Everybody Hates Ritchie
 
Along with Hendrix, Ritchie Blackmore
(Deep Purple, Rainbow) is the guy who makes me crank up the radio volume
when I hear his playing, usually before I really realize what I am
hearing. You get a lot of him on Sirius Radio's "Deep Tracks" channel,
and as a guy who didn't really pay any attention to Blackmore when he
was in his prime, I find the perfection of his chops and his tone to be
tough to beat.
He never seemed to take the easy path in his playing, nor one supposes
in his personal life. He created the template for metal/classical fusion
and influenced famous players including Paul
Gilbert, Randy Rhoads, and Yngwie
Malmsteen, but he retired from hard rock years ago. He has
been married numerous times but since finally settling into a stable
family situation he has become somewhat odd among his peer group. He and
his wife (Candice Night) have
fronted Blackmore's Night, a folk-traditionalist outfit that since 1997
have released nine studio albums. Just for the record, when
musician-husbands start working professionally with their spouses it is
often a sign that no one else in their world really understands them.
This has been something of an affront to fans of hard rock and metal
music, who also haven't cared for Blackmore's refusal to give what they
might consider to be proper credit to other guitar gods. He didn't think
Stevie Ray Vaughn was so hot, for instance. In fact, he grew so bored
with band mates through the years that he developed a reputation for
moodiness and indifference. He explained it this way to Guitar
International: "It’s just a thing I have. I think as soon as I’ve known
anybody for more than three months, I get tired of them. Really, it’s
probably a psychological thing with myself. I’m basically kind of
insecure with myself, and I take it out on other people." That is not a
great formula for developing lasting business and social relationships,
but then Blackmore never cared much for business, either. Of his last go
around with Deep Purple, he said: "With the last go round in Deep
Purple, the guys were very “Well, another day, another dollar—just get
the job done. We’re doing good business.” And I thought “Good business,
yeah, that’s great, but we’re not sounding good here, lads. We’ve got
someone out front there who’s making a mockery of things.” But nobody
seemed to give a damn. Maybe I don’t have too much to say, but I decided
I’ve got to say something other than being in the lot. So that’s when I
decided to pull out."
Here is what Ritchie Blackmore does these days. Thematically, it does
have some themes in common with "Smoke on the Water". I can appreciate
what the irascible one is doing here.-RAR
|
Voodoo Child (Slight Return) Playing Guide
Just for kicks, the CCJ has included the chords and
lyrics below, along with a guitar tablature developed by Travis P. and
posted on UltimateGuitar.com, which is a version most people seem to
accept.
E7
I stand up next to a mountain
And I chop it down with the edge of my hand
Well, I stand up next to a mountain
I chop it down with the edge of my hand
B7
Well, I pick up all the pieces and make an island
A7
E7
Might even raise a little sand
C
D
'Cause I'm a voodoo child
E7
Voodoo child
I didn't mean to take up all
your sweet time
I'll give it right back one of these days
I didn't mean to take up all your sweet time
I'll give it right back one of these days
If I'll see you no more in
this world
I'll meet ya on the next one
Don't be late
Don't be late
C D
C D
Well, I'm a voodoo child
E7
Lord knows I'm a voodoo child, hey hey hey
C D
I;m a voodoo child baby
KEY:
^ = hammer-on/pull-off
b = bend to indicated pitch/fret
rb= release bend
x = muffled note
W = wah on
WX = wah off
~~ = vibrato
/ = slide up to
\ = slide down to
( )= don't emphasize note
tr = trill
pm = palm mute
-Intro-
The intro is just Jimi playing muffled strings, near the 9th fret,
through a wah, lowering and raising the wah. After that (with wah):
|----riff 1--------------|
~~ ~~
--------------------------------------------------
------------------------------------------x-x-----
-9--7---7-----------------9--7---7b8^9^7--x-x-----
------9----5b6-5-7^5-----------9----------x-x-----
---------------------(7)------------------x-x-----
--------------------------------------------------
riff 1 x 1
~~ hold bend WX
------------------------------------------------------------
-----------10b12-10b12-12rb10-8-----------------------------
-9--7---7-----------------------9\----------2b4rb2^0-(1)----
------9-----------------------------------------------2-----
------------------------------------------------------------
---------------------------------------0--0-----------------
|--riff 2--| |---riff 3----|
hold bend ~~
------------------------------------------------------------
------------------------------------------------------------
---------(1)------2b4rb2^0----------12b14-12b14-14rb12-12---
----------2----2-----------2--------------------------------
---------------2----------(2)-------------------------------
--0-0-3b4------0--------------0-0-0-------------------------
W WX
*flick p-up selector switch
back and forth *
------------------------------------------------------------------
------------------------------------------------------------------
-------2b4rb2^0------2b4-------------------2b4rb4^0---------------
----------------2-----------------------------------2----------2--
-12\-----------(2)---------------------------------(2)--------(2)-
-----0----------------------------------------------0--0-0-3b4----
-1st solo-
-------12-------12------------------------------------------------
-15b17----15b17------15^12-------------------12-15b17-------------
-------------------14-----14b16rb14^12--12^14--------14^12--------
--------------------------------------14------------------14^12---
------------------------------------------------------------------
------------------------------------------------------------------
----------------------------
----------------------------
-14b16-12-14b16rb14-12------
----------------------------
----------------------------
------------------------17\-
riff 2 x 1
riff 3 x 1
riff 2 x 1
------3-3-------------------3-3-------------
------3-3-------------------3-3-------------
--------------------------------2b4rb2^0----
--------------2---------2-------------------
--------------------------------------------
-0-0------3b4---0-0-3^0---0-----------------
riff 2 x 1
-Verse-
------------------------------------------------
--------------------------------3-0-3-----------
---------0----------------------------2b4rb2^0--
-----0-2---2---0-2^0-------2--2-----------------
-0-2---------2-------------2--------------------
---------------------0-3b4-0--------------------
riff 2 x 1
-Fill-
~~~~~
--0-(0)----------
--0-15b17--------
--0--------------
--0--------------
-----------------
-----------------
riff 2 x 1
riff 3 x 1
riff 2 x 1
-Verse-
-0-5b7--5^3^0--5^3-5^3^5--5-3b4--------------------------------------
--------------------------------5----0-3^0-0-3b5-3^0-3^0-------------
---------------------------------------------------------2b4rb2^0----
---------------------------------------------------------------------
---------------------------------------------------------------------
------------------------------------------------------------------0--
riff 2 x 1
--------------------
--------------------
--1/4-4-------------
--2/x-x--------2----
--2/5-5-------(2)---
--------0-3^0-------
-Pre Chorus-
------------------------------------
------------------------------------
--4-4-4-4-4-4-4-4--2-2-2-2-2-2-2-2--
--0-0-0-0-0-0-0-0--0-0-0-0-0-0-0-0--
--5-5-5-5-5-5-5-5--4-4-4-4-4-4-4-4--
------------------------------------
riff 2 x 1
riff 3 x 1
-Pre Chorus fill-
-------------------
--3-3-3-3-3-3-3-3--
--1-1-1-1-1-1-1-1--
--2-2-2-2-2-2-2-2--
-------------------
-------------------
-Chorus-
----------------------------------------
----------------------------------------
--3-3-3-3-3-3-3-3-3--5-5-5-5-5-5-5-5-5--
--2-2-2-2-2-2-2-2-2--4-4-4-4-4-4-4-4-4--
--3-3-3-3-3-3-3-3-3--5-5-5-5-5-5-5-5-5--
----------------------------------------
-----0--0----
-----0--0----
-----0--0----
-----7--5----
-------------
-0-0--------
riff 2 x 1
-2nd Solo-
W ~~~~
-------------------------------------------------------------
-15b17-15b17rb15^12-15b17-15b17----15b17rb15^12-----12^15^12-
-----------------------------------------------14b16---------
-------------------------------------------------------------
-------------------------------------------------------------
-------------------------------------------------------------
--------------------------------------------------------------
--------------------------------------------------------------
-14^12--12^14b15---14b16rb14-12-------------------------------
------14------------------------------12-14-14----------------
---------------------------------12^14--------14\12-10--12-14-
--------------------------------0----------------------0------
--------------12-15b17-12^14^12--12-----12--------------------
------12-15b17-----------------15--15b17--15^12--15^12-15^12--
-----------------------------------------------14-------------
-14-14--------------------------------------------------------
--------------------------------------------------------------
--------------------------------------------------------------
-----------------------------12-----------------------
-14-12^15^12-14^12--12-15b17---15^12------------------
------------------14----------------14b16br14^12------
------------------------------------------------14----
------------------------------------------------------
------------------------------------------------------
-------------------------------------------------------------
-------------------------------------------------------------
-----2b4rb2^0-2b4-------------2b4rb2^0-----------12----------
--------------------------0^2---------------12^14--14^12-----
--------------------------------------2----------------------
-0-0--------------0-0-3b4----------------/15------------0-0--
---------------------------------------------------------------
------12-15-12-----12^15^12-----12^15^12-----12^15^12-12-12-12-
-14b16--------14b16--------14b16--------14b16------------------
---------------------------------------------------------------
---------------------------------------------------------------
---------------------------------------------------------------
W (approx.)
----------------------------------------------------------------
-15^12--------12-12-12-15-12-----12-12-15-----12^15^12-12^15^12-
------14-14b16--------------14b16--------14b16------------------
----------------------------------------------------------------
----------------------------------------------------------------
----------------------------------------------------------------
-------------------------------------------------------------------
-15^12--------12-12-12-12-15^12-----12-12-15-----12^15^12-12^15^12-
------14-14b16-----------------14b16--------14b16------------------
-------------------------------------------------------------------
-------------------------------------------------------------------
-------------------------------------------------------------------
|---hold bend---------------|
---------------------------------------------------------------------
---12-12^15^12-------------15-15----15-15----15----15----15----15----
-15-----------14b16rb14^12-14-14b16-14-14b16-14b16-14b16-14b16-14b16-
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
WX
------15b17---
--------------
-14-12--------
--------------
--------------
--------------
riff 2 x 1
--------------0--
-----------------
-----2b4rb2^0----
-----------------
-----------------
-0-0-------------
riff 2 x 1
riff 3 x 1
riff 2 x 1
|----------riff 4-------|
-Break- |-pm-|
---------------------------------------------------------
-x-x-x-x-------------------------------------------------
-x-x-x-x---------------2b4rb2^0--------------------------
-x-x-x-x-------0tr2------------2--2--2-----0tr2----------
-x-x-x-x-------------------------------------------------
----------3b4-----0-0-----------0--0--3b4----------------
riff 4 x 2
|--2x-----|
----------------------
----------------------
-2/12-12\2-----12-----
-2/12-12\2-----12^14--
-2/12-12\2------------
-2/12-12\2------------
riff 2/3 x 8 (verse)
Pre Chorus
riff 3 x 1
riff 2 x 1
Pre Chorus fill
Chorus
riff 2 x 2
-3rd solo-
--------------------------12----------------------------------------
-15b17rb15^12-15b17-15b17---15-12--15-12----------------------------
---------------------------------12-----14b16-14^12--12-14b16-14b16-
---------------------------------------------------14---------------
--------------------------------------------------------------------
--------------------------------------------------------------------
-----------------12-----12-15-12-15b17-15-12-14^12-----12-----------
------14^12-15b17--15b17--------------------------15b17--15^12------
-12---14^12---------------------------------------------------------
---14---------------------------------------------------------------
--------------------------------------------------------------------
--------------------------------------------------------------------
~~~~~
------------------------------------------------------------------------
-15^12-------------------12-15-12-15b17-12-12-12-12---------------------
-14---14b16rb14^12--12^14---------------------------14b16rb14^12--12^14-
------------------14--------------------------------------------14------
------------------------------------------------------------------------
------------------------------------------------------------------------
~~~~
---12---------------------------------------------------------------
-15--15-12-----15--------------------15b17---12---------------------
----------14b16--14b16rb14^12--12^14-------14--14^12-14-12----------
-----------------------------14---------------------------14-12-----
----------------------------------------------------------------12\-
--------------------------------------------------------------------
|----riff 5----|
W(approx.)
--------------------------------3-3-3--3-3--3-3-3-3-3--
--------------------------------3-3-3--3-3--3-3-3-3-3--
-2b4rb2^0----------------------------------------------
--------------2---2-2-----2----------------------------
-------------(2)--2-2----(2)---------------------------
----------3b4-----0-0-3b4------------------------------
riff 5 x 2 (WX - after)
riff 3 x 1
riff 2 x 1
riff 5 x 1
|-----------------tremelo picking-----------------|
-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16--
-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-- repeat...
-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16--
-----------------------------------------------------
-----------------------------------------------------
-----------------------------------------------------
riff 3 x 1
riff 2 x 1
riff 3 x 1
riff 2 x 1
grad.bend
------12b14-12--12-----------------------------------------
-12-15--------15--12-15--12------------15------------------
-----------------------14--12^14-14b16---rb14-12-14-12-----
------------------------------------------------------12\--
-----------------------------------------------------------
-----------------------------------------------------------
riff 3 x 1
riff 2 x 1
riff 5 x 1 (W)
------------
------------
-2b4rb2^0---
---------2--
------------
------------
riff 5 x 2
|----riff 6--|
-------0-----0---------
-------0-----0---------
-14b16--14b16----------
-----------------------
-----------------------
-----------------------
riff 6 x 5
~~~~~~~~~
--19b21--------------
---------------------
---------------------
---------------------
---------------------
---------------------
riff 2 x 1
riff 3 x 1
riff 2 x 1
riff 3 x 1
riff 2 x 1
riff 3 x 1
*flick p-up selector switch
back and forth* WX
------------------------------------
------------------------------------
--2b4------------------2b4rb2^0-----
------------------------------------
------------------------------------
------------------------------------
riff 2 x 1
W dive = 2
---------------0------
-0tr3----------0------
---------------0------
---------------0------
----------------------
----------------------
riff 3 x 1 (WX - after) riff 3 x 1
|
