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Volume 2-2012

 

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THIS WEEK'S RAR TUNES:  Listen by clicking on the links or covers below.

Yours truly is offering up a little Jazz-Pop confection, with all admiration for the ancient Greeks, who knew a thing or two about winging it philosophically. Use this link or click on poor Democritus below to hear "A Simple Explanation".

Oh perversity at the county fair! I'm sure involvement with the Future Farmers of America has ruined more than a few young boys, what with all the glamour and all, and the exposure to breeding stock... Use this link or click on the good people below to hear another in a nauseating string of RAR originals - "(You Do) That Thing That Sets Me Free".

Yours truly has been all about myself of late, which is why I am behind on record reviews and most everything else, but I do have a new batch of recordings, starting with "Betty from Memphis", a tribute to stable types such as my actual Aunt Betty (Olita) in Memphis (not shown here), as well as to all those weary road warriors out there playing the soundtracks to everybody else's movies.

Call it "creative destruction", like Mitt Romney does. "Until Sam Walty's Dead" is a cowboy yarn about a villain - personified by the late and wonderful Warren Oates (below) - who has left an unfortunate legacy for himself (see chorus...). Walty is my metaphor for early 21st Century predatory capitalism, a force that must be dealt with so that honest souls can carry on.

Glory be unto Angie Omaha, whoever she is, pictured below on the cover to my next- generation version of "The Glow of Your Dark Eyes",  introduced several years back as a tune about "the dark side of loving a dark soul". Our girl Angie may not let me exploit her in this way for long, but as long as she does isn't she perfect? I mean, for this song?

"Just Eleven Minutes"  comes from a few years back, and from the same box as "The Glow of Your Dark Eyes", but the versions provided below come much closer to my ambitions for this story of a booze-fueled cuckold speeding toward a crime of passion and revenge. The song is almost entirely played around the single chord of E, with occasional transitions through A-B, for those keeping score. The "psycho" version was the original inspiration, but the Nashville chicken-pickin' version has some nice qualities. Unfortunately it also shows that as a guitar player I am no Randy Barker, though I hope to be when I grow up. (Randy Barker played with Michael Woody and the Too High Band, which in the end gave him way too little exposure, but those who heard him play remember it even 30 years later as something special.)

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IN THIS EDITION

RARADIO

(Click here)

New Releases on RARadio: "Darkness" by Leonard Cohen; "Sweetbread" by Simian Mobile Disco and "Keep You" from Actress off the Chronicle movie soundtrack; "Goodbye to Love" from October Dawn; Trouble in Mind 2011 label sampler; Black Box Revelation Live on Minnesota Public Radio; Apteka "Striking Violet"; Mikal Cronin's "Apathy" and "Get Along"; Dana deChaby's progressive rock

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MUSIC LINKS

"The Musical Meccas of the World"
LOS ANGELES
SAN FRANCISCO
NEW YORK CITY
NASHVILLE
CHICAGO
AUSTIN
DENVER-BOULDER
MINNESOTA
SEATTLE
NEW ORLEANS

PHILADELPHIA

PORTLAND

MEMPHIS

PACIFIC NORTHWEST

FLORIDA

INTERNATIONAL LINKS

UNITED KINGDOM
EUROPE
JAPAN
SCANDANAVIA
AUSTRALIA
CANADA
ASIA
 

Original Musical Compositions and Select Covers

Fiction and Non-Fiction

Special Projects

Essays

 

ASIAN LINKS  

 

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Aerial Dance

Neha Bahsin

Aerial acts first showed up on the Los Angeles, California (USA) music scene, and were first featured in 2006 at RARWRITER.com, but they were first introduced as "aerial dance" in the 1970s. A choreographer in the San Francisco Bay area, Terry Sendgraff, invented the "motivity" trapeze, based on the low-hung circus trapeze. His innovation was to link the two ropes of the circus device to a single point of attachment, so that the apparatus could be used to spin, twist, fly in a straight line as well as in a circle. Aerial dancers started hanging from tall buildings and performing 3-dimensional choreography at dangerous altitudes. In Boulder, Colorado the "Aerial Dance Festival" was founded (1999) to celebrate this dare devilry. In the competitive world of music it seemed only natural that the spectacle of aerial dance be incorporated into pop music, most notably by rock singer Pink, who has recently made aerial dance a big part of her show. It has also become a stage show staple in Las Vegas. And here it is in India, at the Mlrchi Music Awards (at right).

If you aren't so interested in that intellectual hanging from the ceiling stuff, you might opt instead to watch Neha Bahsin's instruction in basic biology. Apple Bottoms is foundational stuff.- RAR

 

And more butt work from DJ SANJ. Apparently the interest in girls bottoms is universal.

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Bombay Bo -
You know I'm genius and it's not my fault

 

 

The Freddie Mercury Connection

Lata Mangeshkar

Freddie Mercury, the extraordinary vocalist of the legendary British rock band Queen, was born Farrokh Bomi Bulsara to Indian parents in Zanzibar. He grew up in Panchgani, near Mumbai, and the music he was most influenced by in his early youth was that of Lata Mangeshkar.

Born September 28, 1929, Lata Mangeshkar is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, and Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.

 

 

  

 

 

 

 

 

 

 

 

 

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©Rick Alan Rice (RAR), March, 2012