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IN THIS EDITION

• Lata Mangeshkar - The Freddie Mercury Connection

  Quruli - The World's Greatest Band?

  Neha Bahsin - Aerial Dance and less serious stuff (Apple Bottoms)

  Editors - Dotting the Quarter Notes, Crossing the Beats

  Camera Obscura - When you're lucid you're the sweetest thing

  Art Brut - Fall Down Funny Drunk

  Mindy Smith - Considering Deeply with Splendid Emotion

  Lindsey Buckingham - Legendary Force of Fleetwood Mac readies release of his 6th solo LP

  Candye Kane - Jump Blues Cancer Survivor Readies 11th LP

  Winter in Eden - Vicky Johnson takes Winter in Eden to a Warm and Soulful Place

  Houston Jones - Long-Haired Hippies Rock Like there's No Tomorrow!

  Brother Claude Ely - The Gospel Ranger and the gift of Rock

  James Warner - RAR Reviews All Her Father's Guns

• Psychostick - Space Vampires Vs. Zombie Dinosaurs In 3D

• Model Stranger

• Aural Vampire

1. The Essential Me - RAR

2. Exodus Honey - Honeycut

3. Satisfied - Rebecca Folsom

4. Quiet Inside (acoustic) - The Jane Doe's

5. Suffocated - Sabrina Korva

6. Lies - The Black Keys

7. One-Two-Three - The Indulgers

8. Its Me - Eddie Turner

9. Come A Little Bit Closer - RAR

10. On A Bus To St Cloud - Gretchen Peters

11. Why (Acoustic Demo) - Sabrina Korva

12. I Will Love You - Rebecca Folsom

13. Unglued - Barbee Killed Ken

14. Soul Shaker - Tommy Castro

15. Easier Said Than Done - Steve Conn

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REGIONAL U.S. LINKS

INTERNATIONAL LINKS

New Audience

Q11:  Who do you perceive your audience to be for the new music you are releasing?
Songwriting

Q12: How do your songwriting skills match up these days against those you exhibited in the 1970s with chart-topping hits? Are you a different writer now?

Musicianship

Q13: I am always interested in the relationship between a songwriter and his or her instrument(s). How much of your focus do you apply to your musicianship? How does it impact the way you write? And has this changed over time?

Historical Constraints

Q14: As a guy who was there at the birth of "Country Rock", and by virtue of repeated airplay on classic rock stations is forever associated with that sound, do you feel constrained by your history? Are you able to stretch out into other types of music, or is that of interest to you? What would you like to do as a songwriter that perhaps you haven't to date?