RARWRITER.COM                                )

March 2010 Edition

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CONTENTS

In this Edition

Featured Artists

Artist Resources

Music Reviews

Book Reviews

Publisher Essays

Cinema

About RARWRITER.com

Archives

 

 

Strange Stories

 

Photo: deiman.nl

SPECIAL SECTIONS

RARadio

Written Arts

Fine Arts

Fashion & Design

Media

Public Policy and Politics

Soundscan Charts

 

Distribution List Sign-Up

SPECIAL REPORTS

Artist Dream Project

Artist Management

Blues Series

 

 
CONTRIBUTOR ARTICLES

Doug Strobel's "You Can't Get There From Here" Music Education Series

 

 

THE "LINKS AT RARWRITER"
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E-MAIL CONTACT:
Rick@RARWRITER.com 

 

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RAR TUNE OF THE WEEK:

Three New Tunes This Edition - This week's RAR original is really three including: "Gates" - a commentary on race relations in the U.S. built around last year's Henry Louis Gates police incident; "Laughing" (Nuke 'em From Orbit) - a meditation on an anticipated exchange at the pearly gates; and "Early Beatles" - an up tempo pop tip of the hat to the spirit of the Fab Four, complete with tributes to Beatles-specific arrangement devices.

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Click on the MySpace Music graphic or on this RAR on MySpace link to hear selected RAR originals...

 

 

 

 

...or click on this RARWriter Music Page link to go to the RARWRITER.com Music page to hear a variety of tunes from the RAR catalog.

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FEATUREDARTISTS:

Click here to go to the Featured Artist page: 

 

Photos, streaming MP3s and more!!!

ESSAYS Click here

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MUSIC REVIEWS
(click here)
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RAR reviews LPs from Michael ONeill (Ain't Leavin' Your Love), Sarah Stanley (Tuesday Girl), Hilary York (In The Dark), Tom Corwin and Tim Hockenberry (Mostly Dylan), The Boxmasters (Modbilly), Mad Buffalo (Wilderness), and others. Also read reviews from RARWRITER contributors Doug Strobel and Diana Olson.

 

BOOK REVIEWS AND MORE (click here): This edition, RAR takes a long look at Philip K. Dick, Edgar Allen Poe, Samuel Clemens and The Iowa Writer's Workshop. Read earlier RAR reviews, including a look back at David Halberstam's The Reckoning, and Alan Greenspan's book "The Age of Turbulence."

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ARTIST INDEX:

Click here to go to the Index page to find the artists profiled on the Links at RARWRITER.

 

J. Vermeer -  "The Artist In His Studio"

 

"THE LINKS AT RARWRITER" - Links to information on creative communities of the following cities, regions and countries:

At Large

Austin

Australia

Boston

Canada

Chicago

Colorado

Europe

Miami/Florida

Japan

Los Angeles

Minnesota

Nashville

New Orleans/Louisiana

New York City

Philadelphia

Phoenix

San Diego

San Francisco

Scandanavia

Seattle

United Kingdom

 

ARCHIVES: Selected features from past editions.

 

RARADIO: Click here to go to the RARadio page to hear innovative acts from across the spectrum of musical genres.

 

POLITICAL LINKS -

points of view not necessarily endorsed by RARWRITER.com

 

ATLAS SHRUGS

FACTCHECK.ORG

 


 

FEATURED LINKS:

The Gibson guitar folks have a Lifestyle zine section on their website that is well worth checking. Click here.

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RARWRITER.com Annual "State of the Union" Report 2008-2009.

Click here for information about RARWRITER.com viewership and the further development of the RARWRITER enterprise.

 

RARWRITER
CONTRIBUTOR PROSPECTUS

RARWRITER.com is exploding with new readers, new artist profiles, and new business opportunities. Would you like to become involved as an editorial contributor? If you are a great writer or photographer with particular knowledge of your creative community, and you are looking for publishing credits, contact us at Rick@RARWRITER.com for a copy of the RARWRITER Contributor Prospectus to learn what involvement can mean for you.-RAR

 

 
 

 

 

 

 

SHORT STORY  

                                                                     

 

A CLEAR CARAFE

By A.B. Hill

Chuck clomped across the kitchen linoleum, soupy mud and snow globs dropping free from his five buckle over-boots.  Gloves were removed finger by finger, leather stiff with cold and greasy with afterbirth.  Plopping his stained Stetson on a wooden peg, Chuck unzipped his brown-duck chore coat.

“Kate!” Chuck dragged a chair away from the table.  Sitting heavily with a grunt of exhaustion he leaned forward to unclip the over-boots.  Two-thirds of the calving was done; one still-born, but no vet bills. Chuck’s bones ached. “Kate!” he bellowed again.

His wife didn’t answer.  Over-boots pulled free and tossed in a corner, Chuck finished removing his worn over-coat.  Chapped cheeks puffed with effort, Chuck heaved the stained, smelly canvas atop his boots.

“Damn it, Kate!  Where the hell are you?” Chuck hollered.  “What’s a man got to do to get a cup a joe?”  The winter calving season took more out of him each year.  Sleep deprivation from checking the herd every two hours for eight weeks, the wet, cold and daily injury were grinding him downwards, contorting his joints into permanent flexion.  Using the scarred kitchen table as leverage, he hoisted himself up. 

It was when he stood upright that he saw the box centered on the table.  His brain delayed the message his eyes sent him.  That was his box.  The one he’d put in the barn years before, hiding it and forgetting it once and for all.  What else could a man do with that kind of thing?

Coffee forgotten, though the dryness in his mouth was acute, he reached out and slid the box to himself.  Knees bending, he dropped back onto a chair marred by years neglect and overuse.

A tin cigar box, scratched paint revealing the shiny base metal, faced him.  The edges were dented, misshapen as the fingers holding it.  “How . . . what the . . . Oh, my God!” he groaned.

Now Kate’s silence made a sick sense.  She wasn’t answering because she wasn’t there.  “Oh, Jesus. . . how did she find this?”

“Kate?” he called gently.   He hoped without hope that she was laying still and quiet on her bed behind the door she closed against him every night; the one that hadn’t  opened to his touch for years.

Lies and guilt had crippled them more than brutal farm life ever could.  Her suspicions were unproven but solid as the door that kept him out.  His conscience, hardened by her silent damnation, closed his heart and throat.  Silence was routine.

Their days passed with grim determination to get them done and over.  No hope, no joy, no future; just everyday’s grinding work to pull them from their beds.

Finding the box was the proof Kate never had; until now.  All the blackness of that time was contained in this stupid, stupid box.  

He imagined the hollow sound of wind in the empty barn as she reached to pull something shiny from the rafters.  He saw the fear in her pinched face. He felt her dread in knowing this was not a child’s treasure hidden in secret delight; her disgust pooling heavy and sour in her gut when the box was opened.

Sitting in this kitchen where he’d spent his youth, his short time trying to be a loving husband and now this bitter old age, he felt as though facades were lifting off, layer by layer to reveal his true self.  He knew himself for what he was.

Chuck’s forehead sunk to rest on the box’s cool metal surface.  His eyes rolled beneath closed lids.  Tears leaked from the corners and slid into weathered creases.  He welcomed the salt burn.

After a long time, the practiced bulwark of justification raised itself into place.  Chuck raised his head and gripped the box as though to crush it.

“Well, damn it, nothing’s changed.  She’d always known and she’d stayed.  Why didn’t she dump me years ago?  Why did that woman work by my side all this time, knowing what I am and hating me for it?”    

With a shove, he stood again and tossed the box into the trash.  “Nothing but despair in a box,” he thought.  “Good riddance!”

He reached for the coffee pot and ran water into its clear carafe.  Unaware that he felt his burden lessened, his mouth relaxed as his mind returned to the calving season so far; two-thirds done and no vet bills. 

 

A CLEAR CARAFE
Copyright © A.B. Hill 2008

 

 

 

 

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©Rick Alan Rice (RAR), October, 2009

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